喬曾經是一個充滿想像力的快樂女孩，但長大後，她卻發現自己再也快樂不起來了。從小陪伴著喬的影子發現了她的悲傷，希望能夠幫助喬重新快樂起來，但卻無能為力。直到你們在追隨蝴蝶時，不小心從喬的日記闖入了她的內心世界，事情才有所改變。透過小精靈的幫忙，你們與喬的影子合作破關成長，用自己的影子幫助喬面對內心的恐懼，戰勝住裡面的怪獸。 　　在《快樂的陰影》中，觀眾將會陪伴喬進行一場互動的旅程，深刻體會她的成長困惑，並找回內心深處的那份純真快樂。

「山是最天然的遊樂場，孩子則是小小冒險王，在這場山林冒險裡，孩子如何想像路途上的未知、經驗每一個的相遇？」 　　節目每一集邀請兩位小小山友，製作團隊依據他們想嘗試的主題、想探索的山林，為小山友們打造一場山林冒險，讓他們在之中盡情探險、遊玩、分享旅途上各式各樣的發現，以自然為出發，展開不同的歷程！ 　　小山友的探險五花八門，前進陽明山、合歡北峰、三貂嶺步道、坪溪古道等等各式各樣的山林！冒險的過程中，他們將如何克服山的高度、手腳並用攀爬大石壁、自己搭帳篷過夜、找尋可以吃的野菜、神木群與夢幻的藍色青蛙呢？ 　　一起跟著《登山總動員》，來場好好玩的山林冒險吧！

校貓 Hoki 數次攻擊校園裡的鳥類，生研社決定發起一場公投。 　　在高中最後的春日裡，小逸、真真、軒庭想在彼此身上找到最好的答案。

古今哲學探討的一大重點始終在於：人如何確定自己的存在不是一場虛幻？然而長期受困於免疫疾病的患者對於生活或甚至是生存的寄託反而可能建立於，會不會身體或是感知的痛苦其實只是一種幻象或是夢境？ 　　從「牽亡」的概念為發想，將免疫疾病比喻為一場自己與己身身體的長期抗戰，於戰爭中死亡的亡靈透過凝視生前的記憶切片，重新檢視與探索生命、存在如何在始終流動與不穩定的狀態下，與其共存與找到平衡。 　　One major focus of philosophical inquiry has been: how can individuals determine that their existence is not an illusion? However, for those enduring chronic immune diseases, reliance on life might paradoxically hinge on whether the pain is merely a dream. 　　Inspired by the concept of khan-bông(a traditional taiwanese ritual) likening immune diseases to a prolonged battle against one's own body, the spirits of those who die in this war revisit fragments of their memories to re-examine and explore how life and existence coexist and find balance amid perpetual flux and instability.

Returning to her native region 15 years after the end of the Algerian war, Lila is obsessed by memories of the war for independence that defined her childhood. In dialogue with other Algerian women, she reflects on the differences between her life and theirs.

This is a two part Slovenian documentary on the Yugoslav Wars 1991-1999. It uses extensive archive footage from Slovenian terrestrial TV. Having watched every documentary I can find on this subject I can say that much of the footage contained in this documentary is unique to it, at least from a Western European audience's standpoint. As such this is an excellent documentary for those with an interest in the fall of Yugoslavia, or those looking for an account of the wars from a Slovenian perspective. 　　As this is a war documentary be prepared for some violent/disturbing scenes. Above all of the other documentaries covering the Yugoslav wars I think that this one has some particularly gruesome images, corpses with gunshot wounds to the head, etc. The usual war footage I see on satellite TV news, rarely if ever shows such things, or when they are shown this is done so quickly, this is not the case here. I found that this does two things, firstly it hammers home the brutality of war. Secondly it illustrates the 'glossing over' of the reality of war by much of the global (or at least Western, from my own experience) media, where scenes of intense, real life violence are perhaps too difficult to swallow with an evening meal. That said, please note that this documentary is almost two hours long and these violent scenes only take up small parts of it.

This is a two part Slovenian documentary on the Yugoslav Wars 1991-1999. It uses extensive archive footage from Slovenian terrestrial TV. Having watched every documentary I can find on this subject I can say that much of the footage contained in this documentary is unique to it, at least from a Western European audience's standpoint. As such this is an excellent documentary for those with an interest in the fall of Yugoslavia, or those looking for an account of the wars from a Slovenian perspective. 　　As this is a war documentary be prepared for some violent/disturbing scenes. Above all of the other documentaries covering the Yugoslav wars I think that this one has some particularly gruesome images, corpses with gunshot wounds to the head, etc. The usual war footage I see on satellite TV news, rarely if ever shows such things, or when they are shown this is done so quickly, this is not the case here. I found that this does two things, firstly it hammers home the brutality of war. Secondly it illustrates the 'glossing over' of the reality of war by much of the global (or at least Western, from my own experience) media, where scenes of intense, real life violence are perhaps too difficult to swallow with an evening meal. That said, please note that this documentary is almost two hours long and these violent scenes only take up small parts of it.